earbliss/20240528
Whole album was great, but their cover of one of my favorite Bond themes, “Tomorrow Never Dies,” was a wonderful surprise.
Whole album was great, but their cover of one of my favorite Bond themes, “Tomorrow Never Dies,” was a wonderful surprise.
Approaching this summer as something of a transitional period: how to work without a long-term project or career ambition. Where I'll end up is TBD, but I do want to explore this last uncharted (other than quitting entirely) frontier. Perhaps I’ll end up a bit more honest with myself.
While much of the afternoon was spent fighting with an impact driver, a bunch of vinyl siding j-channels, the disaster zone that is the top of my desk, and low blood sugars determined to undermine my determination, the second row of Ditko Spideys are now in their new home on the wall behind the desk. Need some clear fishing line so the top row doesn’t fall, but that’s tomorrow’s battle.
This week’s newsletter - featuring with the first of my monthly FICTIONS releases – is in the send queue and I'm back to the work on the second Fic. Thought it might be fun to revisit a story I had abandoned but it ended up resurfacing the reasons I stopped it, so I've put the onus on myself to relentlessly push forward. No going back, not anymore.
(****+ / *****): Few phrases inspire an automatic watch like "Korean revenge film" and BALLERINA is one of my recent tops: tight, taut, crowd-pleasing revenge story with great performances across the board – especially lead Jeon Jong-seo as Ok-ju (in a rather Michael-Caine-in-GET-CARTER-infused turn) – and narrative twists (one in particular being a fantastic subversion of the "hunt from the bottom up" fare) that jolt what can be – in less imaginative hands – a fairly rote genre with pathos and unpredictability.