CLOUD (Kiyoshi Kurosawa, 2024)
Wanted to love this, but the third act didn’t live up to the promise of the first two; far from “kinetic.” (***/*****)
Wanted to love this, but the third act didn’t live up to the promise of the first two; far from “kinetic.” (***/*****)
I still can’t figure out what I’m missing: Martin Scorsese Hails ‘Frankenstein’ as A-List Directors Keep Praising Guillermo del Toro’s Epic | World of Reel
In no particular order and off the top of my head:
25TH HOUR (Lee, 2002)
SINNERS (Coogler, 2025)
PARASITE (Bong, 2019)
CHILDREN OF MEN (Cuarón, 2006)
GODZILLA MINUS ONE (Yamazaki, 2023)
GOOD TIME (Safdies, 2017)
EX MACHINA (Garland, 2015)
ROAD TO PERDITION (Mendes, 2002)
SPIDER-MAN 2 (Raimi, 2004)
WEAPONS (Cregger, 2025)
COLLATERAL (Mann, 2004)
THE PRESTIGE (Nolan, 2006)
THE LIGHTHOUSE (Eggers, 2019)
THE MENU (Mylod, 2022)
THE INCREDIBLES (Bird, 2004)
TWIN PEAKS: THE RETURN (Lynch, 2017)
PRISONERS (Vilaneuve, 2013)
ZODIAC (Fincher, 2007)
NO COUNTRY FOR OLD MEN (Coens, 2007)
THE PHANTOM THREAD (PTA, 2017)
SCOTT PILGRIM VS. THE WORLD (Wright, 2010)
KILL BILL (1+2) (Tarantino, 2003)
CASINO ROYALE (Campbell, 2006)
FANTASTIC MR FOX (Anderson, 2009)
GOOD NIGHT AND GOOD LUCK (Clooney, 2005)
***+ / *****: Some amazing performances - especially Jacob Elordi’s Wrightson-brought-to-life Creature - and moments of brilliance but overall left me wanting. The Netflix sheen shellacked over Del Toro’s too-conservative / reverent direction of his own script diluted what should have been a cinematic powerhouse into the streaming version of the early 90’s ABC event mini-series iterations of JEKYLL AND HYDE and PHANTOM OF THE OPERA (presented with limited commercial interruption); I’m not mad, just disappointed.