Japanese Metabolism

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via Wallpaper

Metabolism’s genesis as an architectural tool for social change was defined by the times. It was in the 1950s that the seeds of the movement were first planted amid the ashes of Japan’s widespread post-war urban annihilation and subsequent renaissance.

As Japan’s recovery journey gathered pace, a string of young architects in Tokyo – including Kisho Kurokawa, Fumihiko Maki, Kiyonori Kikutake – were deeply drawn to explorations of flexible, modular and organic urban design, with inspiration rooted in biology, technology and futurism.

Soon after, Japan was on the brink of enormous economic growth. A few years later, in 1964, Japan hosted the Tokyo Olympics and launched its first shinkansen bullet trains – a seminal moment that confirmed to the world its reinvention from war-hit nation to global leader. Added to the mix was a rapidly growing population – all combining to create the perfect conditions for questioning how to reorganise a fast-evolving urban society for the future.

At the same time, ideas of renewal and impermanence have also long been timelessly ingrained across traditional Japanese culture – from its Zen Buddhist philosophies and aesthetics to its ritual of rebuilding Ise-Jingu, one of Japan’s most important shrines, every 20 years.

"invokes the concept of an overgrown ruin"

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via dezeen:

Informed by "stepped pyramids of the region's ancient history", the building is made of interconnected cubic volumes, pockmarked with terraces, wooden shutters, glazing and exposed open, structure.

"Our approach to breaking down the overall volume of the building involves setting back terraces at irregular intervals and across different levels," said Sordo Madaleno.

"This deliberated design choice enhances the permeability of the essentially rectilinear structure, allowing it to be seamlessly integrated into the surrounding nature. The studied informality of this approach invokes the concept of an overgrown ruin."

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