SPIDER-MAN: FAR FROM HOME (Jon Watts, 2019)

(*** / *****): Somehow missed this one but, as with all of the MCU Spideys, it was nothing if not a good time. Holland, Zendaya, and Batalon terrific; Gyllenhaal (unsurprisingly) a great Mysterio: changes made to the source character to fit him into the MCU worked well, especially the ones going back to the first IRON MAN film (Jeff Bridges appearances are always a win). Still, though, it was an MCU film, so it could've been so much more: standard lackings in visual distinction, visceral web-slinging wonder (Insomniac's games are far better in this department), and narrative oomph abound. Night Monkey forever.

STRAY (BlueTwelve Studio, 2022)

(****+ / *****): Easily the most fascinating cyberpunk dystopia brought to game-life in recent memory (at least since DEUS EX: HUMAN REVOLUTION and yes, I'm including CYBERPUNK 2077 here), each small and contained section a vast, deep world unto itself, a unique beating heart throughout. Other than wishing it were longer (not a bad thing) and for a bit more variety in gameplay, STRAY is nothing short of a (n ever-so-slightly) flawed work of game-making genius. Not only are my heartstrings well and duly tugged, but I learned a new word: Hopepunk; meow.