/202606291103

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Heat dome inbound, hot and sultry or is it sultry and hot or is it both (yes): a desire, again, that words dwell in this space, somewhere – small syntheses of somethings, Montaigne’s “grotesques,” etc; a desire to do my part to make the internet weird again via the half-cooked notions of a recluse talking to himself from the top of his shed.

(Will this desire continue through to tomorrow? TBD)

Today, before the heat really kicks in: finishing touches on a smaller piece that was another piece until I built the piece I was trying to build in the first place and it freed up this piece to be something different.

Tinkering (I hesitate to call it work) on a new story continues; I rather like it. Do I know what it's about? Sure, but I won't hold that against it.

the unfuckening, day five

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Amused by hospital's chiptune hold music yet mortified that I can't name said tune though I know it's one of those annoying warhorse earworms from the last 500 years that's on every calming baby album but I can't place it. Probably Mozart since it grates on my nerves.

The unfuckening of my grandfather's medical situation continues (97-year-old more fit than most 60-70 year olds but nonetheless possessed of 97-year-old internal organs), numbers moving in right direction, from stomach to heart, bit by bit – hospitals being hell for (recovering, ha) control freaks: beholden to the schedule of another and the schedules of the lives and deaths of floors upon floors of (an)others.

But hey: taking the opportunity of daily hospital visits to commence a re-read of Montaigne's Essays. Fortunately, after 10 years of hospital visits, I learned that hospital visits were what a Kindle was made for; it only took me nine years and many funerals to buy one (better late than never) Also: audiobook of Gary Rogowski's HANDMADE for the drive back and forth.

into the new because

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As I've moved this space to being more of a Tumbl-y microblog (it took a long time, but I'm fully sold on title-devoid posting here) and away from its original iteration as a repository of text-based daily word-hurling, I've become – I wouldn't go so far as to say troubled by it – acutely aware of a noticeable lack of text. And, while you might be celebrating, I'm not – the site header does, after all, declare me a Writer, more or less.

Maybe it's all part of that shift into a new creative epoch (evolution is mandatory) I've mentioned off and on throughout, or maybe it's something else; either way, a desire to post more writing here has been omnipresent – it's been the figuring out how to do it in a way that makes it workable and enticing for me (i.e. not contributing to feelings of rush or pointless haste and not making me sacrifice the Main Projects to kowtow to some wholly self-inflicted deadline) and enjoyable for you that's been somewhat more elusive.

The plan – subject, as ever, to change: a new release of something every Wednesday, be it an essay – this will be the only time I write about writing these things, I promise –, a bit of flash fiction, or a who knows what. I'll work on these Wednesday and Saturday mornings (though I'm writing and posting this one solely on Wednesday morning, hence the more rambly nature), releasing early to newsletter subscribers on Sunday (this will commence the first of the year, so obviously not this week or next, but with 2023's first dispatch, on Sunday, 01 January) and to the wider digital ether on Wednesday as I start work on the next release. The other four mornings will be spent on whatever the Main Project is of the week or month or lifetime; tiny thoughtlets, some titled, some not, will be released as they pop into my brain, composed and released in 15 minutes or less.

Posted it several times, but since this is something of an intent-post, I’ll do it again: Montaigne, on “Grotesques”:

Having considered the proceedings of a painter that serves me, I had a mind to imitate his way. He chooses the fairest place and middle of any wall, or panel, wherein to draw a picture, which he finishes with his utmost care and art, and the vacuity about it he fills with grotesques, which are odd fantastic figures without any grace but what they derive from their variety, and the extravagance of their shapes. And in truth, what are these things I scribble, other than grotesques and monstrous bodies, made of various parts, without any certain figure, or any other than accidental order, coherence, or proportion?

Sketchy though they are, the (four minute and thirty-three second) Attendance Card exercises (patterned after Lynda Barry's in MAKING COMICS) have served their purpose and will absolutely, 100% continue – and serve as a model for what I'm doing here: I love doing them (in spite of this morning's evidence that I have no clue how to draw hands) and they, along with the spate of releases since 2020, have freed me from a perfectionistic claptrap that plagued me for the last ten years. The pieces I release on Wednesdays will be similarly sketchy and incomplete, a sort of weekly attendance card, weekly challenges to myself: whatever comes out of four-to-six hours of work is what comes out – most won't work; a few, perhaps, will. Maybe some weeks I'll build on the previous week's (or weeks') releases, transform them, play with variations – who knows: the point is that I don't know until I write them...

Hey, idea: why don't I call all of these Sunday/Wednesday grotesques/releases The Informalities? Hey, that works. Sweet. I've missed that title – arguably the best I've come up with.

Also: last week's Woodshed triage should be considered the first of these Informalities and is now so tagged.

The things that will stay and/or leave, at least as I see them in the moment of this writing:

  • Staying: whenever/whatever statuses and pictures and etc etc / whatever weird shit strikes my fancy here, along with occasional 15-minute-or less thoughtlets; Attendance Cards; PRESS (A) TO START (though it might move to an annual release from a semiannual one, TBD as I continue to play with possibilities with the second release - some of the weekly releases might find their final form there - hey, I like that); the newsletter.

  • Leaving: THE SOCIALIZED RECLUSE (I loved doing the show, I loved getting to talk with cool people, but I really need a break; it might return sometime in the spring, but in a different iteration); certain other projects that have languished and faded; efforts at being someone I'm not.

  • Arriving: The Informalities, V2.

Bringing this maunder to an end by mentioning that I've been in a "I need to do something more with my life" as I've done this writing thing for half my life now and, well, here I am. Countless ideas ran through my head of what I could do – run a non-profit again, open a bar, etc etc – but, after much headdesking and handwringing, I've reached the conclusion that I'm going to double or triple down on writing because, at this point, fuck it.

Best reason, I think, to do anything.

Montaigne, On Solitude

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 "We should set aside a room, just for ourselves, at the back of the shop, keeping it entirely free and establish there our true liberty, our principle solitude and asylum." 

Related to this morning’s post: at present, I’ve got the room at the back of the shop, even in a little corner, a bit of entirety, a dash of liberty, a generous heaping of solitude (save for the dogchildren) and, especially over the last couple days – though not in the sense Montaigne intended – I’ve definitely got the asylum part down. Pretty sure he said something about cracked windows and warped side doors in the shop too but I'm too tired to scan through 1600 pages - no matter how much I love them – right now sorry.