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Might be getting ahead of myself here (surprise, surprise), considering there's a lot to be done (thinking I'll start insulating the roof and loft areas today) before I can fully move my process of processing operations to NuShed, but, if The Paintshop is, currently, about results – working while surrounded by things, by The Collection, the library –, then The Shed (probably the best name for it) will be about process: working through my own processes while being surrounded by original comics art, process pages, tools, blueprints, plans… Come to think of it, maybe that's why so much of The Collection consists of early character merchandising (within the first five years of their existence, largely) and Depression-era entertainment delivery systems (Big Little Books, especially): they are as much a process as a result, a process of iterating how best to represent that character in other media (and, yes, how to milk them for all they're worth).

complete

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With today's addition of DICK TRACY AND THE FROZEN BULLET MURDERS (online searches for which returned many a blender), my collection of Dell's 1936-41 Dick Tracy "Fast Action Story" (one of many Big Little Book competitors) series joins this hallowed tag – though I would, at some point, like to track down a better copy of CHAIN OF EVIDENCE…

Dick Tracy & the divergent delivery systems

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As in love as I am with my now-complete (28/27) collection of DICK TRACY Big/Better Little Books, I'm equally fascinated by two other tomes – both, like the Big/Better Little Books, from Whitman (the form of both is comparable to Big Little Books, newspaper strip reprints told via prose on the left, illustration on the right, repeat for x number of pages) that arrived on the same day: 1934's "The Big Big Book," THE ADVENTURES OF DICK TRACY – essentially a hardback phonebook version of a Big Little Book requring a vinyl album cover to protect– and 1938's DICK TRACY, THE DETECTIVE, a 32-page stapled mini the size of two matchbooks, a Penny Book, that fits in the palm of my rather small adult hands and is perfectly at home in a baseball card plastic sleeve (that took me forever to unearth in the boxes and boxes of collections from my formative years), delivery system bookends to a decade of experimentation:

Indeed, my Dick Tracy collection represents the widest variety of narrative delivery systems of anything on the shelves, Big Big to normal to Big Little to Penny (the form of the innards does, however, remain a constant regardless of the size of the delivery system itself), a collection born as much of love of a character (which I'll write about at some point) as it is a tribute to the fruits of endless experimentation in Depression-era delivery systems that shouldn't have survived the history they represent; that they did is nothing short of a miracle and a testament to the power of a beloved character.