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Spent much of the morning answering interview questions about animation and transmedia and I remain shocked – and grateful – that, 11 years after it came out, I'm still answering questions (and capable of answering questions) about a 300-page book I wrote in five months (distilling a lifetime of experience, of course) in my grandparents' basement with much of my research material (comics and big sheets of paper) spread across a pool table while dealing with the foreclosure of my first house, quitting smoking, and the general upending of my life and identity up to that point. Back to it.

RED MARS (Robinson, 1992)

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Robinson hooked me (and many others, it seems) with MINISTRY OF THE FUTURE's near-future (and getting nearer every day) climate apocalypse bureaucracy and doom and solidified it here: RED MARS is sci-fi and worldbuilding at its most intriguing – and prescient.

The closest analogue to MARS I can conjure is Mervyn Peake's GORMENGHAST series, that rare fantasy series which captured my heart and mind (and reminds me I need to procure the other two) with limited characters – as well-drawn and real as flesh and blood – and excruciatingly detailed worlds not my own (indeed, much of my own frustration in my current WIP is that I'm not seeing the world well enough yet, small and tiny though it may be); Robinson made me feel, with each page turn, as though I was there with that first hundred, uncertain of my allegiances, celebrating and mourning and building and destroying with them. Unflinchingly human, all:

"Here they were eating their dinner, talking over the low boom from the north, in a perfect illusion of dining room conviviality; it might have been anywhere anytime, and their tired faces bright with some collective success, or merely with the pleasure of eating together – while just outside their chamber the broken world roared, and rockfall could annihilate them at any instant. And it came to her that the pleasure and stability of dining rooms has always occurred against such a backdrop, against the catastrophic background of universe chaos; such moments of calm were things as fragile and transitory as soap bubbles, destined to burst almost as soon as they blew into existence."

Robinson once said in a City Arts Lecture that you don't write novels as a tool for self-expression but as a way to inhabit the lives of others: RED MARS takes you not just into the minds of deeply drawn and deeply flawed people, but into what feels like each and every dust particle on the red planet; this is a towering achievement. BLUE and GREEN on the docket, but I need to catch my breath first.

My complete reading list, from 2013 to the present, lives here.