the pull-list, currently

... BATMAN (Zdarsky / Jimenez)… W0RLDTR33 (Tynion IV / Blanco)… BIRDS OF PREY (Thompson / Romero)… DAREDEVIL (Ahmed / Kuder)… CAPTAIN AMERICA (JMS / Saiz)… RARE FLAVOURS (V / Andrade)… WONDER WOMAN (King / Sampere)… BATMAN: GARGOYLE OF GOTHAM (Grampá / Lopes)… THE FLASH (Spurrier / Deodato) … SPACE USAGI (Sakai)… USAGI YOJIMBO (Sakai)… THE PENGUIN (King / De La Torre)… FANTASTIC FOUR (North / Gómez)… BENEATH THE TREES WHERE NOBODY SEES (Horvath)… DETECTIVE COMICS (V / et al)… ANIMAL POUND (King / Gross)… THE DEVIANT (Tynion IV / Hixson)… LOTUS LAND (Van Poelgeest / Filipe)… PETROL HEAD (Williams / Parr)… SUPERMAN '78: THE METAL CURTAIN (Venditti / Guidry)… BATMAN: OFF-WORLD (Aaron / Mahnke)… BASIC INSTINCT (Freeman / Del Ray)… CRAVE (Llovet)… ALAN SCOTT: THE GREEN LANTERN (Sheridan / Tormey)… BATMAN '89: ECHOES (Hamm / Quinones)… BEYOND REAL (Kaplan / Mascolo / Fejzula)… MASTERPIECE (Bendis / Maleev)… UNDERHEIST (Lapham / Lapham)… VOID RIVALS (Kirkman / De Felici)... TRANSFORMERS (Johnson)... DUKE (Williamson / Reilly)… COBRA COMMANDER (Williamson / Milana)… VENGEANCE OF THE MOON KNIGHT (MacKay / Cappucio)… PINE & MERRIMAC (Starks / Galán)… ULTIMATE SPIDER-MAN (Hickman / Checchetto)… ULTIMATE BLACK PANTHER (Hill / Caselli)... ULTIMATE X-MEN (Momoko)... ZORRO: MAN OF THE DEAD (Murphy)… AVENGERS: TWILIGHT (Zdarsky / Acuña)… JAMES BOND 007 (Ennis / Lobosco)… GONE (Jock)... THE ONE HAND (V / Campbell)… THE SIX FINGERS (Watters / Kumar)... THE DISPLACED (Brisson / Casalanguida)… BLUE BOOK 1947 (Tynion IV / Oeming)… IF YOU FIND THIS I'M ALREADY DEAD (Kindt / McDaid)... MAN'S BEST (Picheshote / Lonergan)... BLASFAMOUS (Andolfo)... SPIDER-PUNK ARMS RACE (Ziglar / Mason)... .. SPECTACULAR SPIDER-MEN (Weisman / Ramos)... NIGHT PEOPLE (Condon / Level)... THE BAT-MAN: FIRST KNIGHT (Jurgens / Perkins)... NAPALM LULLABY (Remender / Bengal) ... LITTLE BLACK BOOK (McComsey / Cunha)... THE GOON: THEM THAT DON'T STAY DEAD (Powell)... BATMAN: DARK AGE (Russell / The Allreds)...

Berni(e) Wrightson's FRANKENSTEIN

Roamed an antique mall yesterday and, in one of the packed booths, saw the left side of a book that said “Frank” and “Ber”. Key-bearer opened the case, and there it was: an original edition of Bernie Wrightson’s 1983 “Marvel Illustrated Novel” labor-of-love version of Shelley’s FRANKENSTEIN:

"I've always had a thing for Frankenstein, and it was a labor of love," the artist said. "It was not an assignment, it was not a job. I would do the drawings in between paying gigs, when I had enough to be caught up with bills and groceries and what-not. I would take three days here, a week there, to work on the Frankenstein volume. It took about seven years." ... Wrightson was influenced by the pen and ink masters of the early 20th and late 19th centurie,s and Wrightson named artists like Franklin Booth, Jason Cole and Edwin Abbey."I wanted the book to look like an antique; to have the feeling of woodcuts or steel engravings, something of that era," said Wrightson.

Thrilled to have this beauty in The Collection (not only of comics, but of Frankenstein). If you haven’t read it, Bernie’s collaboration (along with Kelley Jones, who finished the project after Bernie’s death) with Steve Niles, FRANKENSTEIN ALIVE, ALIVE, is considered a sequel to this piece of comics passion unleashed.

TSBMR/0001 :: WHITEOUT No. 1 (Rucka / Lieber, 1998/2007)

First episode of a new, audio take on my erstwhile Wednesday Randoms of eras past: welcome to THE SHORTBOX MEMORY REVUE, in which I pick a comic from the 32 shortboxes that constitute the comics bit of The Collection at random, re-read it, and talk about it - and my sordid history with it - here. Very much ironing out the kinks, but I think I’ll enjoy myself. New episodes probably every Friday. Let me know what you think in the comments!

Art from WHITEOUT, No.1, by Steve Lieber. Carrie walks across a desolate snowscape town.
TSBMR/0001: WHITEOUT No. 1 (Rucka / Lieber, 1998/2007)
Tyler W. Weaver

TOKYO VICE, s2 (2024)

If the narrative and temporal catch-up to Jake and Katagiri's meeting with Tozawa's right hand from the (MIchael Mann-directed) pilot in one of the last episodes of this season is any indication, I'll be more surprised if there's a third season than if there isn't – but what a fantastic ending to a great, underrated show and/or season: more amped up than the first, a steady, pulpier unfolding with great characters (this season belonged to Show Kasamatu's Sato and Rinko Kincuchi's – still one of my favorite actors, her role in Rian Johnson's THE BROTHERS BLOOM being a favorite – Emi and, to a slightly lesser extent, Rachel Keller's Samantha) whom I'll miss – yes, even Engelgort's Jake, whom, like nearly every other character at one point in the show, I wanted to punch (Engelgort's still the weak point of the show; I wish they had kept Daniel Radcliffe in the role from the unproduced film version) – dearly. Great show: if you didn't watch it, give it a binge. (**** / *****)