metal_0035
Three sheets of metal, a threaded rod, and a long-neglected birdbath.
DAYS GONE REMASTERED (2025)
Finished it the other night and found it to be a - sometimes by turn, sometimes simultaneously - heartfelt, involving, repetitive, enraging, buggy, fun, cacophony of more-than-occasional brilliance that delivered that unicorn of my gaming tastes: an open world that, thanks in no small part to traversing the wilds of Oregon on a customizable motorcycle (though the inability to carry a spare fuel can was, by far, the most mystifying part of the experience) and its SOA-meets-RED DEAD-meets-LAST OF US pedigree, was a distinct pleasure to explore and/or seek out growlers, polystyrene, kerosene, and cultists that needed dispatching. Thinking: while it lacked the narrative heft and clear direction of THE LAST OF US, it's that very lack of heft and direction mixed with even more interesting characters that would've – should've – made it the obvious candidate for series adaptation. Far easier to surprise and take in different directions. Alas.
David Lynch's "Unrecorded Night"
Alas, another Lynch project we’ll never get to see. Adore the title.
Among the very few who saw “Unrecorded Night” in any form is cinematographer Peter Deming, who collaborated with Lynch on “Twin Peaks: The Return.” Speaking to The Film Stage, Deming is giving us the first, and maybe last, details about “Unrecorded Night.”
... definitely its own original thing… It was going to be a lot of episodes, because David really liked what he called ‘the continuing story.’… Twin Peaks: The Return, we weren’t really sure how many episodes there were going to be until it got into post-production, because it wasn’t really written that way; it was written as a 550-page film. So how that was sliced and diced really was a post-production question. “Unrecorded Night” was the same way. It took me three sittings to read it because it was so thick, but it was definitely not Twin Peaks. It was definitely a really interesting… mystery, I would say.
When asked about the story, Deming was cautious but revealed it was “another LA canon” for Lynch—an original mystery blending filmmaking and Old Hollywood, likely intended as a sprawling, multi-episode narrative much like “Twin Peaks: The Return.”
via World of Reel