flowermove/20230805

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Major operations are complete: all daylilies and assorted pretties (and none of the thistles and invasive grasses) are sorted and in their new homes around the backyard and the pond. Next up: painting the power line spool bench and spreading grass seed and mulch while keeping Kirby away from all of the above.

Important remedial gardening news: I was even allowed to plant several of the daylilies myself which implies a great deal of connubial trust and the apparent hardiness of the daylilies themselves. Time will tell if they survived my hand; I give them 50/50 odds.

First photo is from a month ago, the second from 10 minutes ago. There was a walkway buried in all of that, as well as a table and chair set and a patio. Walkway formed the new flowerbed edge.

De-weeded and de-planted and ready for its next phase of life. Yellow power line spool bench in the background.

periodic restatement of who? and what?

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Hi, I'm Tyler, I'm a writer (more or less), and if you're reading this, you have stumbled into Parenthetical Recluse, my little slice of the internet, a happy (for me) place where I post loose or perhaps complete thoughts, daily Attendance Cards (stolen from Lynda Barry and bastardized into my own unholy mutation), links, reviews, EarBliss, bits and bobs from The Collection, notions, and whatever else strikes my fancy and/or my ire; it is, in short, the most complete digital approximation of what William Gibson would term my "personal micro-culture."

Now that you're here, you can check out my about page to learn more about me; my projects page to peruse the various "weird shit" I've thrown out into the world; and my reading page for a glimpse at not only what I'm currently reading but everything I've read for the last decade.

You might also find it worthwhile to subscribe to MacroParentheticals, my "Sunday morning synthesis of a week in the life of, featuring (among other things) exclusive essays, recommendations, and now, thanks to the new 'I am the voice in your head' audio versions of each newsletter, a rebirthed THE GROUND LOOP, a short, subscriber-exclusive Proust-meets-Lipton-meets-me interview series." For what it’s worth, I’ve been told the newsletter is not terrible at all; here's that sign-up link again.

Should you feel the need to shout, scream, swear, say hi, or otherwise at me, my email is tww(AT)parentheticalrecluse(DOT)com (or you can use the contact form) and you can find me, adrift in the fediverse at social.parentheticalrecluse.com/@tww.

If you'd like to say hi publicly, I direct your attention to the nifty little comment box below.

Welcome, and enjoy.

issue one is anti-democratic horseshit, ctd

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The vast majority of funding for it is being provided by an Illinois billionaire who also has spent millions supporting politicians who spread the lie that the 2020 presidential election was rigged against Donald Trump. And this week the controversial measure’s most vocal supporter in Ohio compared Trump’s indictment for trying to overturn the election to what’s done “in third-world dictatorships.” 

To top it off, an Arizona politician who has lied both about Trump’s 2020 loss and her own loss last year plans to come to Ohio to promote Issue 1 — to “protect” the Ohio Constitution.

ROBERT B. PARKER'S BAD INFLUENCE (Alison Gaylin, 2023)

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If anyone could make a story about Instagram influencers not only readable but compulsively so, I should have known that it'd be Alison: I've been a fan since we first connected back in the MySpace days, TRASHED being my first foray into her narrative mind and, with BAD INFLUENCE, the first of her (hopefully many) continuations of Robert B. Parker's Sunny Randall stories, she not only renders an accurate depiction of Boston (I lived there for 10 years and her evocation of it made me feel back “home” (read: the home that’s more home than the home of my first 18 years) – though I was perplexed by how easy it was for her characters to find parking; the true fictional license of the story, I suppose) but manages – thanks to her unmatched ability to craft an emotional honesty for each character, no matter how small their role – something that only the best writers can pull off: she makes Parker’s creations wholly her own. Highly recommended.